Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Tuesday, 8 March 2016

Husbands & Sons


Last week I saw 'Husbands & Sons' at the Royal Exchange Theatre in Manchester and it was really great! Three of D. H Lawrence's plays about families in mining towns acted out simultaneously with beautiful production & great acting from Anne Marie Duff, Julia Ford, Philip McGinley & Joe Armstrong.
  
{images from Royal Exchange Theatre}

I'm now reading the three original plays which are available free in the Amazon Kindle store: I've just read 'The Widowing of Mrs Holroyd' & 'The Daughter-in-Law' and now starting 'A Collier's Friday Night' 


Sunday, 28 April 2013

Metamorphosis


Last Thursday I went to see a local production of Metamorphosis by Stephen Birkoff adapted from Kafka's novel about a man who suddenly changes into a beetle and how his family reacts. It was amazing, it's what's called 'physical theatre' where gesture, mime and movement take precedent over sets, costumes and props. 

It was in a really intimate venue, staged above the George Hotel in Tideswell (a really beautiful peak district village with its own Cathedral!) and very raw with a trained actor playing Gregor/Beetle who scamped all over the scaffolding effortlessly, making feeler gestures and strange bettle noises, you really thought he'd turned into a grotesque dung beetle to be scared of! And a 12 year old girl who was absolutely amazing (having only taken up the part a month before hand!) playing the sister, Greta, my mum's cousin played the Mother/Mrs Samsa with beautiful gestures, posture and didn't miss a note, and Father/Mr Samsa was just the right amount of angry, specially when he threw the 'apples' at the beetle!

Here's Stephen Birkoff talking a bit about Metamorphosis, but more really about his book Meditations on Metamorphosis, which has Mikhail Baryshnikov (who did the Broadway play in 1989) as the Beetle on the cover!


and here's a few pics from the play via Tideswell Theatre's Facebook Page where you can see the movement/gestures beautifully, it was like performance art with a story.

 
   

What plays have you seen recently? {This year I've seen a few already My Fair Lady, The Daughter-in-Law, To Kill a Mockingbird)

Next up? I really want to see Henrik Ibsen's A Doll's House at the Royal Exchange, Manchester


Thursday, 4 April 2013

To Kill a Mockingbird at the Royal Exchange Theatre

My well-worn copy complete with school notes 

One of my favourite books has got to be 'To Kill a Mockingbird' having studied it twice at school (once in the Philippines & once in the UK!) it quickly became a book to be reread a lot (and that doesn't happen too often as there are so many other books to read!). So I can't believe I almost missed out seeing it at the theatre, as I only found out it was on last week. I almost but I didn't, it required a bit of an adventure in the cold, for nearly 5 hours last Friday...

 
My view in the queue of St. Anns Square & the 'To Kill a Mockingbird' poster!

The production was on at the Royal Exchange Theatre in Manchester, where luckily they have some last minute, front row banquette (bench-like) seats available on the day of the performance. So being Good Friday I knew it was going to be busy so I left the house at 5.45 and the snowy climes of the High Peak to get to Manchester and join the queue for 7am.

 
Watching Manchester wake up to blue skies

I got to the theatre at 7.15 and I was the first person there, yay! and was greeted by a notice stating that the Box Office didn't open till 12 noon as it was a bank holiday (it normally opens at 9.30am!) so began the long wait, nearly 5 hours! in the freezing cold on a step. In a way it was lucky I didn't know it opened later as lots of other people showed up early too!I just hoped it would be worth it.....

My sis, after I finally got the tickets, yay!
 
  
 Royal Exchange Domes

The Royal Exchange is quite an unusual 'theatre in the round' as it is a modern steel, spider-like polygonal structure in a traditional hall. It has quite a bit of history, having been originally a place to trade mostly cotton & textiles in the 18th Century, to being heavily damaged in WWII, becoming a theatre in 1973 and then being heavily damaged again by an IRA bomb in 1996 and reopening in 1998 with a production of 'Hindle Wales' which was the play that should have opened the day the bomb went off. It has a knack of regenerating and always coming back to something greater: Read more of the building's fascinating history here.

 Royal Exchange: modern meets traditional inside the old hall

   

 There was a little free music gig on before the play started, and it was great to gather round under the beautiful blue domes and sense the sweet anticipation and excitement that comes before a performance!

Scout's bed & Miss Maudie's Bicycle

As the 'backstage' area of the theatre is mainly the public hall space, you can walk around it and beneath the stairs were some props, including Scout's bed, a bicycle that Miss Maudie rides in the play through Maycomb, Ms Dubose's wheelchair and Camellias!

'Backstage' of the theatre, you can just see Ms Dubose's wheelchair

The Courthouse floor (wooden palettes) & Ms Dubose's Camellias

The play was spectacular, the best thing I've seen at any theatre, hands down. The theatre is only small, seating about 750, and entirely in the round, so the sets & props had to be used ingeniously to keep the play flowing, this was also helped out by Maycomb's Musical Townsfolk which brought the town to life at the same time as changing scenes over with the minimal amount of disruption and aesthetic which fit perfectly, with simple sets the emphasis was entirely on the cast and story, the way it should be, this was acheived through an amazing production design department that got this so right.

Photos of the play in the theatre (Mayella, Atticus, Scout & Jem, Musical townsfolk and Dill)

  
Photos of the play in the theatre (Judge Taylor, Miss Maudie & Scout, Heck Tate, Tom Robinson and Bob Ewell)

The kids who played Jem, Scout & Dill were fantastic, you really thought they were 9 to 12 years old, while in real life the actors are in their early twenties! Shannon Tarbet is one to watch, for the future, she entirely was Jean Louise Finch aka Scout, the dungarees helped and accent helped of course but that youthful tomboy innocence that's all Scout aka Shannon! and Dill was so sweet and his voice so high, all thanks to James McConville.

    
Programme/Cast

'The Jane Austen of South Alabama'

I had to get a programme and there was a great little interview that Harper Lee did 1964. Here's a few quotes of hers that I love about writing & being a writer:

"You see, more than a simple matter of putting down words, writing is a process of self-discipline you must learn before you can call yourself a writer. There are people who write, but I think they're quite different from people who must write."

"There's no substitute for the love of language, for the beauty of an English sentence. There's no substitute for struggling, if a struggle is needed, to make an English sentence as beautiful as it should be."

"Writing is simply something you must do. It's rather like virtue in that it is its own reward. Any writer worth his salt writes to please himself. He writes not to communicate with other people, but to communicate more assuredly with himself. It's a self-exploratory operation that is endless, an exorcism of not necessarily a demon, but of his divine discontent."

 
Harper Lee interview

and here's a poignant truth from her most recent written appearance in 2006 in a letter to Oprah, about reading in the computer age:

"Now, 75 years later in an abundant society where people have laptops, cell phones, ipods, and minds like empty rooms, I still plod along with books. Instant information is not for me. I prefer to search library stacks because when I work to learn something, I remember it."

  
 The stage is set / The Courthouse

As we were on the front row, which is basically the stage itself, and the theatre's so small, we were almost part of the production, sometimes when the cast walked past you had to move your feet so they could get past!

This was especially prevalent in the Courthouse scenes as it was set up that the stage highlighted the witness and the whole of the theatre was the Courthouse. With the balcony used for where Jem, Scout & Dill, the Reverend and Tom's wife sit. Scout was dangling her feet down, just what a nine-year old would have done! 

The Court in recess  (the witness chair) & our interval / We were sat just behind Judge Taylor. (Scout, Jem & Dill were sat on the balcony)

When the jury went out, and the Court took a break, it was also interval time. It's little details like that which made the production so unique, such an experience and true to the novel. Plus it also went through the seasons, snowing and raining on stage, there was a metal mad dog played by Mayella! a great ham & carrot costume, beautiful soap dolls, a tyre swing, a mob of unruly men with fire torches and 'cars' pulling up just outside! an extremely poignant moment with Tom's death & Scout and of course Boo.... Well done and Congrats all involved, so much hard work paid off, it was amazingly wonderful!



Here's my t-shirt I made for the 50th anniversary of the book (back in 2010). And you can also get it as a print on Society. 
Time to reread the book I think and then revisit the film (oh Gregory Peck!), that should keep me going for a while!



Monday, 21 January 2013

Sheffield: Force of Nature & My Fair Lady


The other day, while most of the UK was gripped in the battles of snow-filled roads & skies, I went to Sheffield for some cultural sights & sounds. Firstly I went to the Millenium Gallery & saw 'Force of Nature: Picturing Ruskin's Landscape' which features many of John Ruskin's drawings & paintings alongside historical & contemporary artists interpretations of landscape. From the famous seascapes of J.M.W Turner, to the map-like, made-up landscapes of Carol Rhodes, David Nash's film documenting 25 years of recording his carved wooden boulder's journey down a stream & Julian Opie's animated flowers in a field. Here's a few of my favourites:

http://www.danholdsworth.com/images/danholdsworth_282.jpg 
'Andoya' Dan Holdsworth                                                               'Coal' Carol Rhodes 

 Wooden Boulder wedged under a bridge

Our past, present and future are all based intrinsically on the land, from our origins as a species we have always relied upon the land for our basic needs, from farming the land for food and building materials to creating reservoirs for our water. 

Landscapes are mostly thought of as traditional scenes of natural landforms, majestic mountains, green valleys and emotive sense of a place, but I feel it is most powerfully expressed and meaning found in those artforms which have a true physicality; sculpture & installation, film & documentation. Like David Nash's film 'Wooden Boulder' which documents 25 years of a wooden boulder's journey down a stream in Wales, from it's carving out of an old oak tree to it's last sighting in an estuary in 2003, before it reaches the sea. It came from the land and went on a journey into the sea, and when it is destroyed it will be returned to the land/sea, a lot like ourselves and life. 

 a painting of a snowy mountain landscape 
 
While pretty paintings of landscapes can be marvelled at for the beauty the artist caught in that moment, they are often only like postcards of a place. While true landscapes are in a constant state of flux, holding danger, emotion, weather and people within their earth. I often feel like the only point of some landscape painting is its beauty of form, as it can never really convey the amazing feeling of actually being in that landscape. To feel the wind in your face, mud squelching beneath your feet, rain soaking into your skin makes you really experience and feel how fragile and precious the earth is and remind us of our fight to protect it much more than any oil on canvas can do.


Next I went to see 'My Fair Lady' at the Crucible, which I got a ticket for at the last minute. I didn't even know the story or many songs. Musicals are often a bit hit and miss with me, some parts especially when they have a big ensemble song & dance, the smile can be engrained on my face all the way through, but then there were some quite drawn out boring solo songs as well. My favourite songs were with Alfred Doolittle, Eliza's dad, singing 'With a little bit of luck' & 'Get me to the church on time'. With such greats as Julie Andrews & Audrey Hepburn having played the part of Eliza before on the original Broadway production & film respectively, it was always going to be hard to find the right lead. Carly Bawden at times didn't have the strongest of stage presence but she sang beautifully and of course 'Wouldn't it be loverly' was magic and her chemistry with Mr Higgins as played by Dominic West was a bit forced.  

   
Old programmes/posters from previous productions

  

The Crucible is a theatre in the round which is always special as it's so much more intimate and you often feel a part of the action with actors using the stairs and lower ramp entrances to the stage, the photos above are just before the start where the actors were in character, setting up the covent garden market scene while the audience was coming in. No doubt it will get picked up in London to become the next big hit musical in the West End.

Here's a little trailer of clips from the production: 

Might just have to go find the famous film version to watch now with Audrey Hepburn to relive my fave songs & dances.